Exhibit celebrates 30 years of art not as usual

New CU Art Museum exhibit honoring the Artnauts collective opens with a public celebration from 4 to 6 pm. Thursday

In nature, rhizomes are plant stems that grow just beneath the soil surface, sending out shoots and sprawling root systems that can produce new plants. An expansive purple cluster of bearded iris, an early-spring patch of asparagus, a rustling stand of bamboo—all grow from the branching, interconnected system of a rhizome.

In art, rhizomes are collectives and communities that flourish in connection and collaboration, in exchange, in branching and spreading into new soil.��

You're invited��

��What: Opening celebration for the exhibit “Rhizome: Origins," celebrating 30 years of the Artnauts

��Where: CU Art Museum

��When: 4-6 p.m. Thursday, Sept. 3

��Who: All are invited

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The Artnauts are a rhizome.

Founded in 1996 at the �鶹ӰԺ, the Artnauts—a name that can be interpreted as “art not as usual” or as a play on the exploration and globe-circling of “astronaut”—are celebrating their 30th anniversary with the exhibit “Rhizome: Origins” officially opening Friday at the CU Art Museum.

A celebration of the exhibit and the Artnauts will be held from 4 to 6 p.m. Thursday at the museum, initiating a series of events through the fall semester that celebrate 30 years, hundreds of artists and almost as many exhibits in 27 countries that address themes of peace, human rights, climate, migration, cultural memory and other global issues.

The timing of the exhibit is perfect and poignant: George Rivera, professor emeritus of art and art history and a founder and longtime public face of Artnauts, recently announced that he is retiring from the collective for personal reasons and to make way for new leadership.

“(New leadership) already is having a great positive impact, as members are stepping up to acquire new exhibitions in new countries that we have not yet visited,” Rivera explains.��“Wait until you see the new venues that they have planned for exhibitions. We need new visions that go beyond what I set up for us throughout the world. The mission will not change. That will stay the same.��Just new places of ‘contention’ (as I call them) will be added to where we go with our vision for a better world.”

Rivera and other Artnauts will be featured in a documentary film about the collective, scheduled for release this fall.��

Art as connection

In fact, experiencing an Artnauts exhibit in the United States is something of a rarity. When Rivera and colleagues Garrison Roots, , and Luis Valdovino founded Artnauts in 1996, an aim was to balance the aesthetics of art with its power to connect with people experiencing violence, oppression or disaster.

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What else are Artnauts Martha Russo and George Rivera up to? Oh, only showing their work in Venice, Italy!

Ciao, amici!

It started simply if not easily, with Rivera cold calling galleries or schools in countries experiencing serious situations. Because of those situations, Artnauts exhibits needed to be two-dimensional and generally not larger than 8x10—a size that allows the work of 40 artists to fit in a carry-on suitcase.��

Over three decades, more than 220 artists have in Bosnia and Rwanda, Colombia, Palestine and the DMZ between North Korea and South Korea—in all, 27 countries on five continents.

Though the points of commonality between the exhibiting country and the United States may not have been identical, Rivera says, Artnauts has always sought common themes, social issues and experiences.��

For Martha Russo (MFA’95), who has been with the collective since 1996 and now serves as its board president, the Artnauts’ mission is about staying true to the essence of art. Its mission aligns with her ideas and beliefs about art and its ability to bring “us back to our rudimentary way of collecting information, namely, through the senses and the body,” she describes in her Artnauts artist statement.

Reflecting history and personal growth

In creating “Rhizome: Origins,” both Artnauts and CU Art Museum curators collaborated to envision an exhibit that reflects the history of the organization and reflects artists’ personal growth, says Hope Saska, CU Art Museum director and chief curator. Also uncommon for an Artnauts exhibit, quite a few featured pieces are three-dimensional, deviating from the idea of art that can fit in a carry-on suitcase.

In 30 years, more than 220 artists have participated in Artnauts exhibits, and they were invited to submit ideas for “Rhizome: Origins.” From these ideas, 22 artists’ work was curated for the exhibit, all of whom have CU �鶹ӰԺ affiliation as faculty, staff or alumni.

The opening celebration Thursday will initiate a slate of events throughout the semester, including:

Artnauts��at��the��CU��Art��Museum��from 2 to 4 p.m. Friday, an event that will include making activity, artist-led gallery talks and an��award ceremony for��recipients of scholarships honoring past��Artnauts.
Collective Visions:��An��Artnauts��Panel Conversation��from 1-2 p.m. Sept. 19 in room IB20 of the Visual Arts Complex, which will feature Artnaut��founding members George Rivera and Beth Krensky, joined by Martha Russo, Pamela Beverly-Quigley and Eileen��Roscina,��in a��discussion about the history and future of the artist collective.
Social Sculpture:��Artnauts��+ YOU��from 1-4 p.m. Nov. 7, an afternoon of hands-on artmaking activities, talks and art demonstrations��with��faculty and students from��CU �鶹ӰԺ’s Unstable Design Lab.��
“Rhizome: Origins”��closing celebration from 1-3 p.m. Dec. 12.

Thursday’s opening event will also celebrate the CU Art Museum’s sweet 16th birthday and CU �鶹ӰԺ’s 150th anniversary.

Works by Daniel Henry and George Rivera from the Artnauts "Borderlands" exhibit at the Russian Society of Artists Exhibit Hall and Khabarovsk Academy of Art in Khabarovsk, Russia, in 2001.