Cinema Studies and Moving Image Arts
On campus on Wednesday for a screening of his movie Roofman, CU Â鶹ӰԺ alum Derek Cianfrance praises the professors who mentored him and talks about what motivates him today as a filmmaker.
The CU Â鶹ӰԺ Cinema Studies and Moving Image Arts assistant professor is finding success as an independent filmmaker.
The films of 1975, currently featured in CU Â鶹ӰԺ’s International Film Series, reflected the times and the culture in ways that hadn’t been seen before, says film scholar Ernesto Acevedo-Muñoz.
At the D&D table, says CU Â鶹ӰԺ humanities scholar and gaming podcast host Andrew Gilbert, everyone has a voice.
Aspiring filmmaker and CU Â鶹ӰԺ senior Francesca Hiatt’s short film, Cherry Yogurt, relies on subtlety to touch on grief and support, viewed through children’s eyes.
Fifty years after Jaws made swimmers flee the ocean, CU Â鶹ӰԺ cinema scholar Ernesto Acevedo-Muñoz explains how the 1975 summer hit endures as a classic.
What happens when a freshly minted film studies graduate heads out into the world with no particular plan? How A&S alum Patrick Hoffman went from taxi driver to private investigator to successful author.
In honor of what would have been Paul Newman’s 100th birthday, CU Â鶹ӰԺ film historian Clark Farmer considers whether there still are movie stars.
CU Â鶹ӰԺ’s chair of Cinema Studies and Moving Image Arts shares insights on Stanley Kubrick’s masterpiece ‘doomsday sex comedy’ and why the film is more relevant than ever.
In honor of what would have been Al Capone’s 125th birthday, CU Â鶹ӰԺ cinema researcher Tiel Lundy explains the enduring popularity of gangsters in film and the American imagination.